On the day after an election it is good to remember the difference between power that is temporary and power that is eternal!
I stand before Rome’s Basilica of St. Paul's Outside the Walls (San Paolo Fuori le Mura) and look up. The façade of any building is one of its most important features. Designers know that every one who enters will raise his/her eyes; it is a prime communicative moment that speaks in the language of architecture and symbol.
19th century artists Filippo Agricola and Nicola Consoni decorated the façade of St Paul’s using mosaic in three registers. Their work was based on the original 10th century mural that was destroyed by a fire in 1823.
On the bottom are four figures. These are evenly spaced between three windows. The figures represent the four Major Prophets of the Old Testament: Isaiah, Jeremiah, Ezekiel, and Daniel. Each holds a scroll suggesting that the Messiah was anticipated by the Old Testament.
In the center is a key symbol of the Messiah. A lamb reclines on a mound from which four fountains (four gospels?) flow. The flock gathers at the water. The symbol of the lamb is an old one going back to the Gospel of John (1:29).
The central figure at the top, in the pediment, is the enthroned Christ. On his right is the Apostle Peter holding a key. On his left is the Apostle Paul holding a sword.
The original structure here was situated over the tomb of Paul. Paul was beheaded in Rome in AD 67. The 4th century historian Eusebius states that the place of Paul’s burial was known and marked (Eccl Hist. 2.25, see here).